{"id":442,"date":"2021-09-07T18:22:33","date_gmt":"2021-09-07T18:22:33","guid":{"rendered":"https:\/\/symbiont.space\/?p=442"},"modified":"2025-02-21T11:17:12","modified_gmt":"2025-02-21T11:17:12","slug":"blind-audition","status":"publish","type":"post","link":"https:\/\/symbiont.space\/index.php\/2021\/09\/07\/blind-audition\/","title":{"rendered":"Blind Audition"},"content":{"rendered":"\n<p>7. &#8211; 19. September 2021<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ZeitR\u00e4ume zu Gast im symbiont: Blind Audition<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>Blind Auditions sollen \u2013 \u00e4hnlich wie Blindverkostungen \u2013 f\u00fcr vorurteilsfreie Bewertungen von Musik sorgen: Ein Vorhang trennt Musiker*innen von der Jury, die Orchesterstellen bestm\u00f6glich besetzen will. Das l\u00e4sst nat\u00fcrlich auch an die Verblindung in der Wissenschaft denken, ein wichtiges Verfahren, um Studienergebnisse objektiver zu machen. Entkopplung, Transkription und Transformation von Klang und K\u00f6rper sind Themen von Jannik Gigers begehbarer Raum- und Videoinstallation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/symbiont.space\/wp-content\/uploads\/2021\/09\/Blind_Audition_Filmstill-1024x640.jpg\" alt=\"\" class=\"wp-image-332\" srcset=\"https:\/\/symbiont.space\/wp-content\/uploads\/2021\/09\/Blind_Audition_Filmstill-1024x640.jpg 1024w, https:\/\/symbiont.space\/wp-content\/uploads\/2021\/09\/Blind_Audition_Filmstill-300x188.jpg 300w, https:\/\/symbiont.space\/wp-content\/uploads\/2021\/09\/Blind_Audition_Filmstill-768x480.jpg 768w, https:\/\/symbiont.space\/wp-content\/uploads\/2021\/09\/Blind_Audition_Filmstill.jpg 1200w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Vernissage 07.09.2021, 18:00 | Eintritt frei<\/p>\n\n\n\n<p>Durchgehend 08.\u201319.09.2021 | So\u2013Do 14:00\u201320:00, Fr\u2013Sa 14:00\u201322:00 ausser 19.09. 14:00\u201318:00 | CHF 10 | erm\u00e4ssigt CHF 5 (nur vor Ort, kein VVK)<br><\/p>\n\n\n\n<p class=\"has-medium-font-size\">symbiont-Input: Talks moderiert von Roland Fischer<\/p>\n\n\n\n<p>Freitag 10.09.2021, 19:00&nbsp;| &nbsp;Objektivierbare Fakten, objektivierbare Musik? Von der Unvermeidlichkeit der Interpretation, mit Anne-May Kr\u00fcger (S\u00e4ngerin und Musikwissenschaftlerin), Christoph Hoffmann (Professor f\u00fcr Wissenschaftsforschung, Universit\u00e4t Luzern), Jannik Giger (Komponist, Videok\u00fcnstler)<\/p>\n\n\n\n<p>Donnerstag 16.09.2021, 19:00 |&nbsp;Machtstrukturen in Musik und Wissenschaft \u2013 wie \u00fcberwinden wir den Gendergap? mit Simona Isler (Gleichstellungsbeautragte Schweizer Nationalfonds), Elisabeth G\u00f6ring (Orchestermusikerin)<\/p>\n\n\n\n<p><br><strong>Jannik Giger<\/strong>&nbsp;Komposition, Konzeption, Regie |&nbsp;<strong>Demian Wohler<\/strong>&nbsp;Szenographie, Konzeption |&nbsp;<strong>No\u00eblle-Anne Darbellay<\/strong>&nbsp;Performance |&nbsp;<strong>Rebecca Meining<\/strong>&nbsp;Kamera, Konzeption |<strong>&nbsp;Elisabeth Liselotte Kraus<\/strong>&nbsp;Szenographieassistenz |&nbsp;<strong>Celine Fournier&nbsp;<\/strong>Kameraassistenz<\/p>\n\n\n\n<p>Produktion ZeitR\u00e4ume Basel mit freundlicher Unterst\u00fctzung der Stanley Thomas Johnson Stiftung, Fondation Nestl\u00e9 pour l\u2019Art, Gw\u00e4rtler Stiftung | In Koproduktion mit Jannik Giger mit freundlicher Unterst\u00fctzung von Johann Paul Stiftung | Kompositionsauftrag an Jannik Giger mit freundlicher Unterst\u00fctzung durch den Fachausschuss Musik BS\/BL<br><br><\/p>\n\n\n\n<p><br><br>:::::&#8212;&#8211;::::::::::::::::::::::::&#8212;&#8212;&#8212;-<br><br>September will be busy at symbiont. Starting tomorrow, Jannik Giger and Demian Wohler will be installing their space and video installation <strong>Blind Audition <\/strong>in the two symbiont spaces, as part of the ZeitR\u00e4ume Basel festival. Vernissage is on Tuesday, September 7, the installation will remain until September 19. It&#8217;s about blind auditions: similar to blind tastings, these are supposed to provide for unprejudiced evaluations of music. A curtain separates musicians from the jury, which wants to fill orchestra positions in the best possible way.<br>This &#8220;best possible way&#8221; brings to mind (clinical) research, which also wants to eliminate the human factor as much as possible in order to get to the bottom of the pure truth; there, too, &#8220;blind testing&#8221; is an important concept. An accompanying series of talks is interested in these parallels in art and science, both from a philosophical and a structural perspective:<br><br><strong>Blind Addition (talks in German)<\/strong><br>Friday 10.09.2021, 19:00: Objectifiable Facts, Objectifiable Music? On the inevitability of interpretation<br>with: Anne-May Kr\u00fcger (singer and musicologist), Christoph Hoffmann (professor for science research, University of Lucerne), Jannik Giger (composer, video artist)<br><br>Thursday 16.09.2021, 19:00: Power structures in music and science &#8211; how do we overcome the gender gap?<br>with: Simona Isler (Equal Opportunities Officer Swiss National Science Foundation), Elisabeth G\u00f6ring (orchestral musician).<br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>7. &#8211; 19. September 2021 ZeitR\u00e4ume zu Gast im symbiont: Blind Audition Blind Auditions sollen \u2013 \u00e4hnlich wie Blindverkostungen \u2013 f\u00fcr vorurteilsfreie Bewertungen von Musik sorgen: Ein Vorhang trennt Musiker*innen von der Jury, die Orchesterstellen bestm\u00f6glich besetzen will. Das l\u00e4sst nat\u00fcrlich auch an die Verblindung in der Wissenschaft denken, ein wichtiges Verfahren, um Studienergebnisse objektiver &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/symbiont.space\/index.php\/2021\/09\/07\/blind-audition\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Blind Audition&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-442","post","type-post","status-publish","format-standard","hentry","category-past-exhibitions"],"_links":{"self":[{"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/posts\/442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/comments?post=442"}],"version-history":[{"count":2,"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/posts\/442\/revisions"}],"predecessor-version":[{"id":814,"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/posts\/442\/revisions\/814"}],"wp:attachment":[{"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/media?parent=442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/categories?post=442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/symbiont.space\/index.php\/wp-json\/wp\/v2\/tags?post=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}